S/MD/95. "There is a sense in which, simply by picking up a guitar, women musicians are committing the kind of gender trespass that feminist theory celebrates", McCarthy 2006. Critically evaluate the notion that popular music is patriarchal in nature and necessitates "gender trespass"

The paper examines the development of gender identities associated with popular music looking at its origins as a 'patriarchal' form, accounting for the reasons behind male control over music, discussing gender stereotypes associated with various professions, and focusing on gender-related creativity in popular music.

S/MD/81. Is urban youth music's "rubbish available within a preconstituted market" (Willis)?

The paper examines Colombian hip hop and rap culture discussing its origins and spread, the impact of globalisation on the patterns of youth identity, the ethnic messages of popular music, the problems of racial discrimination and "reverse racism", urban youth movements, etc.

S/MD/82. Critical Review of "Rap, Black Rage, and Racial Difference" by Steven Best and Douglas Kellner

The paper reviews the article on rap music as a part of hip hop culture and its role in the life of African-Americans. It is argued that rap is a vocal protest for the people oppressed by violence and poverty. The origins and features of rap are discussed; the reasons for its popularity are considered.

S/MD/67. Bach's Prelude No.7 in Eb Major, with Shostakovich's Prelude No.10 in C# Minor

The paper compares Bach's Prelude No.7 in Eb Major and Shostakovich's Prelude No.10 in C# Minor identifying similarities in their melody and development. Brief overviews of the composers' biographies and music styles are presented.

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