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Theatre Study
S/LI/265. Strindberg, Misogyny and Miss Julie
- WORDS:
- 2000
- DATE:
- 2007
- PRICE:
- 29.99 GBP
The paper examines the feminist theatre of the 1970s looking at women's participation in theatrical performances and discussing women's position in Britain from the historic perspective. A play by Johan August Strindberg Miss Julie is analysed focusing on the main character, discussing the playwright's attitude towards women and making references to the theories of Darwin, Freud, etc.
KEYWORDS: li, strindberg, misogyny, miss, julie,
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Keywords Tag Cloud
li theatre performance plays play discuss seen concept relation contemporary post based power self formulations theories relationship sexual artaud miss desire relevant julie modern strindberg stage role reference tempest antigone company brecht godot roof historical theme waiting beckett jean theatrical character particular black hot playboy theatricality glen key western change world shadow misogyny appia develop craig setting century space light themes th reformed ideas cat tin society technologies live comment own positioning practice artaudian examine detail identifying importance industrial technologically shakespeare explore essence race propaganda scene act staging exemplify concerns postmodernists useful david protest absurd sophocles anouilh project wertenbaker nightingale challenge political orthodoxy love time harold russes ballet review kafka monkey diaghilev artists pinter directions dissertation impact expression form objects clos contribute construction hell huis objectives attempted alter extent achieved stuff happens kill heroine royal court english understanding significance companies hare features documentary samuel constructs prepare actor portray specific system stanislavski demonstrate chekhov performativity gender performances choosing anton practical exercises determined brook persuasive account robert peter mcgrath concepts depth community held john notion butler woolf virginia albee bulgakov women moliere afraid whos portrayal racine monarchic sketch nick parks venus demonstration acting disguise chaikin judith statement course compare analyse elements practitioners discussed wilson pina contradiction played genuinely forces reality recognise consider metropolis toller ernst masses fritz lang p fran writings churchill offer series principles caryl structuralism lyotard ois investigate interrogate urge examination mass initially refer explorations sound audience movement senses poetry created bausch concrete language produced participation visual wo spoken makes endure individual rejection demonstrating fragmented experimentation discursive vocal deliveries physical
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WHAT OTHERS HAVE SAID
I got the paper thanks it will come in very handy for my course thank you.Nicholas
