Browse our collection of papers in
Shakespeare
C/LI/100. Treatment of revenge in Shakespeare's plays “Julius Caesar” and “Hamlet”
- WORDS:
- 1500
- DATE:
- 2011
- PRICE:
- 19.99 GBP
The paper looks at the Shakespearean presentation of revenge in “Julius Caesar” and “Hamlet” discussing the role of historical setting in the depiction of revenge, characters’ personal motivations behind revenge, and the circumstances surrounding the acts of revenge. The paper examines Shakespeare’s attitude towards revenge as a feeling beyond characters’ control, suggesting that the human mind has yet to learn how to cope with the emotional pressures associated with revenge.
KEYWORDS: Revenge, Shakespeare, Julius Caesar, Hamlet,
S/LI/531. What can the characterisation and action of Much Ado About Nothing tell us about gender roles and romance?
- WORDS:
- 2700
- DATE:
- 2011
- PRICE:
- 29.99 GBP
This paper examines the Shakespearean comedy Much Ado About Nothing, and aims to discuss gender roles and romance. The paper analyses certain scenes and characters in the play in order to ascertain the role that gender and romance play. The paper also assesses society in the Elizabethan era, in order to contextualise the points made.
KEYWORDS: Shakespeare, Much Ado About Nothing, gender roles, romance, Elizabethan era,
S/LI/527. An examination of Lermontov's Герои нашего времени with reference to the following passage from Shakespeare's As you like it
- WORDS:
- 2300
- DATE:
- 2011
- PRICE:
- 29.99 GBP
This paper examines Lermontov's Герои нашего времени with reference to a passage from Shakespeare’s As you like it. The extract is ' All the world's a stage, and all the men and women merely players, they have their exits and their entrances, and one man in his time plays many parts.' The paper examines characters and extracts from the novel to examine how relevant the Shakespearean quotation is in relation to the novel.
KEYWORDS: Lermontov, Герои нашего времени, Shakespeare, As you like it!,
S/LI/492. Shakespeare's portrayal of fools in “King Lear” and “Troilus and Cressida”
- WORDS:
- 3150
- DATE:
- 2011
- PRICE:
- 39.99 GBP
The paper looks at the character of Lear’s Fool in “King Lear” comparing him with the fool-like character of Thersites in “Troilus and Cressida”. The complexity of fools’ characters is discussed showing their skill of balancing between duty and truth. The personalities of the two fools are discussed reflecting on the roles of the Fool on the Elizabethan stage.
KEYWORDS: Shakespeare, Lear’s Fool, King Lear, Thersites, Troilus and Cressida,
S/LI/485. Themes of love, time and beauty in Shakespearean Sonnets
- WORDS:
- 2900
- DATE:
- 2011
- PRICE:
- 29.99 GBP
The paper analyses the relationship between love, time and beauty in Shakespearean Sonnets tracing the ideas of procreation, reproduction and preservation of beauty. Shakespeare’s understanding of biological existence aged by Time as opposed to immortal memorial existence is discussed making references to the imagery of the Sonnets.
KEYWORDS: Love, beauty, time, Shakespearean Sonnets,
S/LI/484. Differences between Romans, Goths and Egyptians in “Titus Andronicus” and “Anthony and Cleopatra” by Shakespeare
- WORDS:
- 3450
- DATE:
- 2011
- PRICE:
- 39.99 GBP
The paper looks at Shakespeare’s portrayal of Romans, Goths and Egyptians in his plays “Titus Andronicus” and “Anthony and Cleopatra” discussing the theme of barbarism, sexual power and unmotivated evil in the behaviour of the characters, and revealing symbolic references to the fall of the Roman Empire.
KEYWORDS: Romans, Goths, Egyptians, Titus Andronicus, Anthony and Cleopatra, Shakespeare,
S/LI/483. Shakespeare's portrayals of Richard II and Henry V
- WORDS:
- 2550
- DATE:
- 2011
- PRICE:
- 29.99 GBP
The paper looks at Shakespeare’s portrayals of Richard II and Henry V comparing their personalities and reflecting on the figure of an ideal king in the context of Renaissance England. The characters of both kings are analysed discussing sacrifices that must be made by a king to perform his duty to the nation.
KEYWORDS: Shakespeare’s kings, Richard II, Henry V,
S/LI/480. The role of women in The Tempest and The Winter's Tale
- WORDS:
- 1650
- DATE:
- 2011
- PRICE:
- 19.99 GBP
This paper aims to examine the role of women in The Tempest and The Winter’s Tale, by Shakespeare. The paper examines Miranda in reference to The Tempest, and discusses her role in reference to voyaging. The Winters Tale is examined in regard to the Old Shepherd and Perdita. Conclusions are made regarding the way in which both plays portray the role of women.
KEYWORDS: Role of women, women, Shakespeare, The Tempest, The Winter’s Tale, Miranda, Old Shepherd, Perdita, voyaging,
C/LI/96. Early modern English grammar and Shakespearean plays
- WORDS:
- 2900
- DATE:
- 2011
- PRICE:
- 29.99 GBP
This paper examines how knowing early modern English grammar can enhance our understanding of Shakespearean plays. The paper examines the form and sentence structure in these Shakespearean plays Love’s Labour Lost, The Merchant of Venice, A Winter’s Tale, and A Midsummer’s Night Dream.
KEYWORDS: early modern English grammar, Shakespearean plays, Love’s Labour Lost, The Merchant of Venice, A Winter’s Tale, A Midsummer’s Night Dream.,
C/LI/94. Textual analysis of extracts from Shakespeare's “As you like it” and “Romeo and Juliet”
- WORDS:
- 1900
- DATE:
- 2011
- PRICE:
- 19.99 GBP
The paper compares two extracts from Shakespeare’s plays, i.e. “As you like it” and “Romeo and Juliet”. Textual analysis of the extracts is conducted examining the composition of the dialogue based verses and their unrhymed or decasyllabic parameters.
KEYWORDS: Textual analysis, Shakespeare, As you like it, Romeo and Juliet,
S/LI/470. Shakespeare's plays treat masculinity as something which is inherently unstable. Discuss
- WORDS:
- 2400
- DATE:
- 2010
- PRICE:
- 29.99 GBP
The paper looks at the theme of masculinity in Shakespeare’s plays “Othello” and “The Twelfth Night” analysing the symbols of jealousy and love used in each play and discussing men’s anxiety about patriarchal power and control over women’s sexuality. Heterosexual and homosexual interpretations of “The Twelfth Night” are considered.
KEYWORDS: Shakespeare, masculinity, control over women, sexuality, heterosexual, homosexual, Othello, Twelfth Night,
C/LI/71. Analyse Shakespeare's Othello by looking at the syntax, morphology and linguistic features
- WORDS:
- 1500
- DATE:
- 2010
- PRICE:
- 19.99 GBP
This paper examines Shakespeare’s Othello, focusing on syntax, morphology and linguistic features. The paper evaluates the Shakespearean play through close analysis of the text, and by uses of theories surrounding the three key research areas.
KEYWORDS: Shakespeare, Othello, syntax, morphology, linguistic!,
S/LI/466. Desdemona's and Cressida's reputation
- WORDS:
- 2300
- DATE:
- 2010
- PRICE:
- 29.99 GBP
The paper analyses the female characters of Shakespeare's plays ‘Othello' and ‘Troilus and Cressida' showing how they are treated by men as commodities, and arguing that the reputation of both Desdemona and Cressida depends on their chastity.
KEYWORDS: Shakespeare, Othello, Troilus and Cressida, Desdemona and Cressida,
S/LI/457. Interior being in Shakespeare's “Hamlet” and “Macbeth”
- WORDS:
- 2900
- DATE:
- 2010
- PRICE:
- 29.99 GBP
The paper looks at the depictions of the ‘immaterial soul', or the interior self, in Shakespeare's tragedies “Hamlet” and “Macbeth” analyzing the interaction of the interior and exterior lives of the protagonists and comparing their characters.
KEYWORDS: Shakespeare, Hamlet, Macbeth, interior self,
S/LI/456. ‘The narrator of Shakespeare's Sonnets is a character, as vividly realized as any in his plays'. Discuss
- WORDS:
- 2000
- DATE:
- 2010
- PRICE:
- 29.99 GBP
The paper looks at the personalities of the narrator and the addressees in Shakespeare's sonnets discussing whether the narrator can be identified with Shakespeare himself, comparing Shakespearian sonnets to those of Petrarch and Philip Sidney, and arguing the sonnets' dedication to a young man and a lady.
KEYWORDS: Shakespeare’s Sonnets, narrator, dedicatee,
S/LI/455. Poetical truth in Shakespeare's romantic plays
- WORDS:
- 3150
- DATE:
- 2010
- PRICE:
- 39.99 GBP
The paper examines the features of poetic language in early Shakespearian plays “Love's Labours Lost”, “A Midsummer Night's Dream” and “Romeo and Juliet” discussing the relationship between the actual and the poetical truth and analyzing ‘poetical truthfulness' of the romantic characters of the plays.
KEYWORDS: Poetical truth, Shakespeare, romantic,
S/LI/449. Women and Virtue in Jacobean City Comedies
- WORDS:
- 2250
- DATE:
- 2010
- PRICE:
- 29.99 GBP
The paper looks at early-modern English literature describing the historical background of Jacobean England and showing how the reformation of religion and the reigns of two queens in the Tudor dynasty influenced contemporary attitudes towards women and female virtues. A reflection of societal attitudes is traced in city comedies by Shakespeare, Jonson and Marston.
KEYWORDS: Shakespeare, Jonson, Marston, Jacobean England, city comedy,
S/LI/443. Two paths in the woods: analysis of ‘Midsummer Night's Dream'
- WORDS:
- 590
- DATE:
- 2010
- PRICE:
- 9.99 GBP
The paper compares the views of scholars on the play ‘Midsummer Night's Dream' by Shakespeare discussing its characters, symbolic imagery, and the role of Athens and the woods in communicating the message of the play.
KEYWORDS: Midsummer Night’s Dream, Shakespeare,
S/LI/437. The pleasure of misunderstandings: narrative irony in Homer, Chaucer and Shakespeare
- WORDS:
- 2200
- DATE:
- 2010
- PRICE:
- 29.99 GBP
Using Odyssey, The Wife of Bath's Tale and Hamlet as examples, the type of irony that involves a discrepancy in understanding between character and audience is discussed. The paper cites pity and fear as the reason our superior perspective encourages us to feel pleasure in the work as we watch or read others misunderstand people and situations. Though at the same time we fear the truth of the imitation.
KEYWORDS: Literature, Homer, Chaucer, Shakespeare, Odyssey, Wife of Bath, Hamlet, irony, dramatic irony, tragic irony!,
S/LI/434. Hamlet and the Oedipus Complex
- WORDS:
- 1900
- DATE:
- 2010
- PRICE:
- 19.99 GBP
Hamlet's desire to avenge his father's death and kill his mother's new husband in the Shakespearian play are cited as evidence that the protagonist has what Sigmund Freud identified as the Oedipus Complex. His desire to win his mother's sole affections and his mistrust of other women, particularly Ophelia, are cited as further confirmation of the psychoanalytical theory.
KEYWORDS: Oedipus complex, Hamlet, Shakespeare, sexuality, mother, father, son, children, Sigmund Freud, psychoanalysis, child psychology, developmental psychology,
S/LI/433. Revenge as a theme in Hamlet and Medea
- WORDS:
- 1550
- DATE:
- 2010
- PRICE:
- 19.99 GBP
The paper discusses how acts of vengeance are a crucial theme for the development of the two protagonists in the plays by Shakespeare and Euripedes. A comparison of the similarities and differences in the motivations of Hamlet and Medea is made, and the final outcome of their actions is reviewed.
KEYWORDS: Hamlet, Medea, Shakespeare, Euripedes, theatre, plays, Greek, revenge, character development, behavioural psychology,
S/LI/420. Why do we pity Othello instead of blaming him?
- WORDS:
- 560
- DATE:
- 2010
- PRICE:
- 9.99 GBP
The paper looks at the “Moor” status of the protagonist of Shakespeare's “Othello” arguing that Othello's “Moorness” can be interpreted as “otherness”, which causes prejudice towards him in other characters, and lets the audience pity Othello instead of condemning him for killing his wife.
KEYWORDS: Shakespeare, Othello, Moor, Iago, jealosy,
S/LI/416. Good and evil in Shakespeare's “Othello”
- WORDS:
- 850
- DATE:
- 2010
- PRICE:
- 9.99 GBP
The paper analyses the theme of the battle between good and evil in Shakespeare's “Othello” contrasting the characters of Othello and Iago and discussing whether Othello turns into a villain after his jealousy causes the death of Roderigo and Desdemona.
KEYWORDS: Shakespeare, Othello, Iago, good and evil,
S/LI/408. Review of Alan Sinfield's 'Cultural Materialism, 'Othello', and the Politics of Plausibility'
- WORDS:
- 3000
- DATE:
- 2009
- PRICE:
- 39.99 GBP
The paper reviews the essay by Alan Sinfield “Cultural Materialism, ‘Othello', and the Politics of Plausibility” defining the nature of ‘plausibility' in literary theory and arguing that literary characters, e.g. Othello, are ideological products and cultural constructs. The concept of ideology is examined with reference to the theory of Marx and Engels, conditions of plausibility are discussed.
KEYWORDS: Alan Sinfield, Cultural Materialism, ‘Othello’, and the Politics of Plausibility, Shakespeare, Othello, King Lear, plausibility,
S/LI/406. King Lear: a man more sinned against than sinning
- WORDS:
- 1150
- DATE:
- 2009
- PRICE:
- 19.99 GBP
The paper analyses the theme of appearance versus reality in Shakespeare's “King Lear” showing the development of King Lear's character across the play from a man of power and ultimate control to a confused old man.
KEYWORDS: King Lear, Shakespeare,
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