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Shakespeare

S/LI/466. Desdemona's and Cressida's reputation

WORDS:
2300
DATE:
2010
PRICE:
29.99 GBP

The paper analyses the female characters of Shakespeare's plays ‘Othello' and ‘Troilus and Cressida' showing how they are treated by men as commodities, and arguing that the reputation of both Desdemona and Cressida depends on their chastity.

 

KEYWORDS: Shakespeare, Othello, Troilus and Cressida, Desdemona and Cressida,

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li shakespeare discuss plays hamlet power king character shakespearean tempest comedies reference lear ii tragedies tragedy cleopatra politics romeo authority juliet scene othello henry measure explore gender shakespearian macbeth antony richard women sonnets treatment extent midsummer dream history night evil characters play ado gaunt john question marlowe sinned act grammar sinning english representation drama various detailed passage renaissance cultural change social role revenge love construction cressida demonstrate shakespeares kings literary despite examination relation roles ultimately ophelia portrayal virtue identity modern romance awakening interrogation sex create william self recreation kate benedick death achieved closure agree wordplay principal falstaff chopin psychology intertwining plots importance male write comment iv sentiments corrupting personalities laurence olivier disturbing solicit interpret branagh kenneth sympathy venice vicious stronger emotionally court staging counterparts complicity mentally merchant teacher nature humans female portrayed protagonists chaos theme extracts textual unstable winter tale romans differences portrayals inherently masculinity syntax looking analyse morphology linguistic treat features goths egyptians action characterisation following tell julius focus caesar lermontov troilus anthony andronicus titus themes time fools beauty reputation desdemona pity plausibility materialism instead blaming oedipus medea discomforting sinfield alan faustus doctor conflict petruchio taming review shrew complex pleasure romantic truth poetical narrator vividly interior realized city jacobean irony narrative misunderstandings homer chaucer woods paths beatrice prospero filmed cinematic compare versions learnt events comparison courtship dramatisation fool life concrete relations violence theatre mean views witchcraft conservative demystification radical ratification monarchy unanswered left occurred semantic surface society using account words origins abstract people marriage scholars soldiers times socio monarchs images princes especially proposition consider culture sources masculine reside woman interpretation shylock assess humanity retains quotation language interplay emergence resists sense understand outsider generic divisions problematic deviations refer edward thirsty pursue natures assume preoccupied sexuality policing interpretations critical e relationship conv ariel caliban competing light homosexuality literature integral disintegration damage provides comfort happy supposedly danger determination tis ideology deck explores true charismatic satisfactory cymbeline post difference audience colonial readings dominated inner prepare particular lexis comparing oliver twist housewife desperate powerless claimed represented slavery coercion changed substantially wasn career imprisonment constraint natural reinterpretable biological relationships forms freedom endings
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