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S/LI/348. Sophocles: In Antigone, is Creon simply in the wrong throughout? Is Antigone unambiguously right?

WORDS:
2300
DATE:
2009
PRICE:
29.99 GBP

This paper analyses the characters Antigone and Creon in Sophocles: The Three Theban Plays. The parallels between the characters, character intent and the use of recurring imagery will be discussed in order to establish whether Creon is in the wrong and if Antigone is unambiguously right.

 

KEYWORDS: Antigone, Sophocles, Fagles, R, Creon, Sophocles: The Three Theban Plays, Greek tragedy,

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li homers antigone sophocles odyssey theme discuss homer revenge greek themes tragedy ancient odysseus oedipus heroic reflecting athene unambiguously shrewder cunning devious love throughout simply athens intellectual century fifth nightingale creon euripides crisis engagement wrong medea fire theft days myths theogony representation character fate drama war hero shakespeare regarded hamlet anouilh protest pleasure misunderstandings chaucer irony narrative wertenbaker ajax son mother portrayals feasting relationships peacetime definer quality negativity hospitality tragedies achilles differences similarity renaissance comparative literary justice heroes codes aristotelian oresteia endorse e values saying traditional code hippolytus reject problematize epic classical tragic foolish view aeschylus role women shandy tristram iliad plausibly
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