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General Literature

C/LI/52. Differences in children's literature – adventure, fantasy, fairytale

WORDS:
950
DATE:
2010
PRICE:
9.99 GBP

The paper examines how adventure, fantasy and fairytale genres in children’s literature are different in their descriptive content, appeal and relationship to their readers. The research refers to published studies on the subject: N. Anderson’s Elementary Children’s Literature: Basics for Teachers and Parents, E. Bearne’s Myth, Legend, Culture and Morality, and Bettleheim’s The Uses of Enchantment: The Meaning and Importance of Fairy Tales, and other secondary data sources – on-line resources, journal articles, and works of fiction. The paper discusses the importance of children’s books in terms of the development of reading skills, and how the forms of literature under discussion have changed over time and according to literary and social trends.

 

KEYWORDS: Children’s literature, fantasy, adventure, fairytale, education, literacy,

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Other Papers On: General Literature
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li literature discuss novel review gender texts book women historical relation examine colonial literary narrative children writing reference world reality key difference theory fantasy fairytale adventure autobiography marginalised voice criticism die studied views md gothic tradition text lodge feminine fiction diary novels notion lives century western la serious authors explore travel femininity writings testament eliot politics de writers post girl article reflection david film issues ancient functions adaptation determines role information excavated examination exotic cultures unfamiliar mine contains destination freedom writer aim journey motives idea statement accounts foe coetzee nineteenth called watch rewriting address aspects agree remarkably remained postcolonial robinson defoe centuries stable reading sartre playboy play synges content form milan realist setting elements perfectly del placa write diamant foremost justified love kundera unbearable chance fortuity childhood coincidence child believe read brought events tomas tereza lightness repeatedly series fortuitous motivates authentic crossroads goblin rossetti rebellion market thousand term painful joyces sexual dreams sargasso wide rhys sea thomas stellavista ballard declaration genre realism space lefebvre toms midnight wolf garden maus facing wonderland cinematic alice rime mariner complete comparison death sense pacific people stereotypes ideological readings reduce films simply plausibility othello tone novelist essay alan sinfield materialism cultural sociology ps monster apocalypse visions images differences sex ch telaine vergy claim analogy valid books patient complex disturbing crusoe relationship helene outlined ecriture cixous laugh themes essays medusa features conform tragedy parker howard approaches marxist female extent assess racial discrimination malcolm experiences television anne frank hesse hermann demian games advertising arguments psychoanalytic define drawing specific cinema forms media sociological godard bias gatsby storytelling greek tragedies document vs theories comparative narration everyday romance sexuality life vampires modes mythology slavic effective applying identify landscape regime past comparing version contempt moravias caribbean livys nights carters angela circus linguistic rome similarity written factors modern c smith context hotel nihilism boundary accidental ali interpretation autobiographical analysing encountered critically appraise dream identification freud religion meet chivalry concentration froissart knighthood misrepresent merce warfare fourteenth construction addressed religious rationalism halperin mysticism franz problematic kafka pitch fever representation hamlet shakespeare nabokov lolita filmmakers deronda daniel ideology enter individual formation led thereof perform jug communities christian period experiment woolf virginia environment s own mandarins beauvoir simone built influence banyan leaves structures tree city modernity woman rodoreda
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